Hugh Roy with Tommy McCook & the Supersonics - Flashing My Whip

This post marks a first for the blog and a new chapter in my unquenchable quest for new music and records. I've now begun the slow and wallet-crushing descent into buying rocksteady 45s. I've always been a fringe fan of the genre: I've owned a copy of The Harder They Come soundtrack for a long time and have regularly co-opted Toots and The Maytals as a summertime staple. Upon a recent trip to New Orleans I visited my favorite record store there (and in the entire United States of America out of all the ones I've been to). It's called Domino Sound Record Shack and it is an absolute imperative if you should ever find yourself in New Orleans. They carry an expansive selection of soul, funk, punk, metal, and rock 45s and LPs but their real bread and butter is Jamaican records. Owner Matt's knowledge of rocksteady, ska, reggae, dub, etc, etc is kind of overwhelming but fortunately he is a ridiculously humble dude who is willing to help you out if you're a lost puppy in the wide world of Jamaican music. Did I mention that his prices are RIDICULOUS, deals to be had all over the place. Alright, so that was my plug for a record store that has my unwavering support. Digressions aside, Matt hooked me up with a tape he made called "Prince Pauper's Rocksteady Revue" and the tune I'm posting today happened to be on it. After the first listen I became obsessed, and I really truly mean OBSESSED, with the song. Obviously as a consequence I had to find the record. Lucky for me it's relatively easy to track down and not very expensive (in the ten dollar range).

I'm by no means knowledge on the genre or the record so I'm just going to link you to the wikipedia post about Hugh Roy. I do however know that "Flashing My Whip" is an absolutely celebration of life. I could listen to this song on repeat and be in completely bliss. Hope you enjoy it as much as I do. See y'all soon with more selections from my collection.

Two new sets from The Lost and Found

Hey y'all. I uploaded two new mixes from my last two visits to The Lost and Found sessions. I started using Mixcloud but if you want the files for download just contact me and I'll gladly send them to you. I'm going to post up a record later tonight. Hope you enjoy.

Dj Hambone @ The Last Lost And Found Session. by Joe Cristando on Mixcloud

Dj Hambone @ The Lost And Found 1.18.11 by Joe Cristando on Mixcloud

Deloris Riley - Hey, Boy!

I'M BACK! I've temporarily rigged it so I can make posts again, I don't know how long it will last but hopefully until I can afford to buy a new computer or get my broken one fixed.

To make up for my prolonged absence I'm bringing you a true rarity. Rare in the record collecting world is a subjective concept: some base it on monetary value and others base it on whether a record or song is truly scarce. I believe this Deloris Riley record is a true rarity as it I've never seen another copy of it, don't know anyone else that has it, and to my knowledge, it's never been sold on eBay.

It's a totally killer New Orleans funk track, I'm guessing '70 here. Publishing rites belong to none other than Joe Banashak. I can't find any information other than that. I don't know who Deloris Riley was/is or if she had any other records and I don't know who Justin James was/is. Regardless, the song is an all out, low-down, filthy, wah-infected funk jam. Deloris' voice is killer too!

Hope y'all enjoy. I'll try and be back tomorrow with another tune.

Crescents - "That's All She Left Me" & "Here You Come Again"

I'm sitting here at my desk finishing the last bit of coffee and writing this post while simultaneously putting off all of the Christmas shopping I need to accomplish today. You may ask why I'm torturing myself in this manner. Well, the record I'm posting is just too good to hold onto any longer. It's also kind of a mystery to me so I'm hoping to gain some information from y'all.

This is obviously a New Orleans record: it's on Watch, both songs are written by Earl King, both songs are arranged by Big Wardell, and the group is call Crescents. I want to know if this is the same group that released a record on Seven B, my instincts tell me it is. However I can't seem to find any information on them. Regardless both sides are stunning. While I love the upbeat dancer "That's All She Left Me," the ballad is jaw-dropping. Whoever the McMillan Sisters are, they are quite talented.

Hope you dig these sides and I hope you haven't left yourself in a last-minute shopping predicament like I have done.

Crescents - "That's All She Left Me"



Crescents & McMillan Sisters - "Here You Come Again"

Ray Charles - "I Don't Need No Doctor"

I'm about to bust out of the concrete jungle and do a lil hiking. Once in a while a man needs to get back to nature. Before I do so I'm going to bring you a stormy little number from Mr. Ray Charles.

The last time Ben and I DJed he played this track and I immediately came to the booth to inquire. He told me it was a Ray Charles record. "No shit," I said. A week later I was flipping through a large and unruly stack of unsorted/uncleaned 45s I have and found the very same record. "No shit," I said. Although it's a little crispy sounding I don't really mind. Ray kills it on this number. Co-written by J. Armstead, a female Chicago based singer/songwriter who we've seen on here before. This is one of Ray's fiercest tunes that features the stormiest of rhythms and a top-notch horn arrangement. Come on, you know you're dancing ten seconds into it. Ray has got you hooked and now you need a little of his medicine.

Dee Clark - It's Raining

Well, It hasn't stopped raining all day in New York. I hate the rain, under any circumstance. Obviously I understand its value but I can't help but feel great contempt for days like today where lethargy reigns. It does however give me a topical excuse to post this tune.

Dee Clark was a soul singer out of Chicago who record for Vee-Jay and later Constellation. The song however is a New Orleans tune, penned by Naomi Neville (not Leville) and originally performed, exceptionally, by Irma Thomas. Although the original is by far my favorite I really like Dee Clark's version. It's a different take on the song but still retains the intended sentiment.

I hope none of y'all are battling the elements but if you are may this song provide some comfort.

Joey Gilmore - "Do It To Me One More Time"

This is my favorite kind of record: relatively cheap (under the ten dollar mark) and completely killer. I haven't been able to try this out on the dance floor yet but I have a feeling it'll kill em. Such an interesting song that combines elements of funk, blues and employs latin influenced rhythm. It's got gritty organ, piano, and Joey has a spectacular voice to boot.

As far as I could gather Joey Gilmore is a Florida based blues guitarist who is still active. Here is a link to his myspace page: Joey Gilmore Blues Band. I hope he doesn't mind me posting this because the people need to hear this song! The flip to this record is pretty exceptional too so I might post that up eventually.

See you in a minute!